The Minefield
The Problem of Nationalism, with David Moscrop — Live at the Sydney Writers’ Festival artwork

The Problem of Nationalism, with David Moscrop — Live at the Sydney Writers’ Festival

The Minefield
54:36
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Show notes

It’s common these days to refer to “the return of nationalism”. But that assumes that nationalism receded for a time, like the tide, and here the world is, now, getting its pants legs wet. Such an assumption misunderstands the peculiar character of nationalism. It would be better to think of it as a swell, as a political phenomenon that periodically gathers power and force, that crests and crashes, but that never entirely goes away. It’s always there, beneath us. Nationalism belongs to the emotional valence of the collective life of a nation state. Using the analogy of Aristotle’s taxonomy of the moral emotions — with, say, cowardice on one end of a continuum, foolhardiness on the other, and courage sitting in between — we could even think of nationalism as an extreme expression of the bundle of political emotions that ordinarily manifest as civic pride or patriotism, among them: love and fear, loyalty and hatred, attachment and jealousy. But with nationalism, it is as though the emotional balance is out of whack. Ever since the origin of the term at the end of the eighteenth century and its subsequent emergence in the nineteenth, nationalism has typically been associated with three components: Membership — the recognition of an “imagined community” constituted through shared language, ethnicity, religion, geography and so on;Self-determination — the demand for sovereignty over a defined territory;“Civil religion” — the existence of self-reinforcing symbols, practices, rituals, stories which serve to reify “the nation”, turning the abstract idea of national membership into a lived experience.While there is undeniable overlap with patriotism, nationalism adds the additional element of bellicosity. Not just national pride but superiority. Not just love of one’s own place and people (patria), but a corresponding antipathy toward other nations — including “others” within one’s own borders. Nationalism thus tends to be a Janus-faced phenomenon, with its heedless pursuit of territorial and tributary interests without and its requirement of the dominance of an ethnic and religious majority within. We could think of nationalism as the political equivalent of what happens when proper “self love” (amor sui) turns inward on itself (incurvatus in se) and devolves into egotism. Ever since the Second World War, nationalism has been indelibly associated with territorial ambition, categorical violence, a pseudo-religious zeal, utter partisan loyalty. As George Orwell puts it, “Nationalism is power hunger tempered by self-deception.” And yet over the last decade, a form of brazen nationalism has been willing to speak its name, to own its ambitions and cast off the veneer of polite cosmopolitanism. It has both fed off and fuelled intense popular emotions — fear, resentment, disgust, patriotic love — and seems willing to regard one’s nation as “beyond good and evil”, as answerable to no criteria other than its own interests. The problem, of course, is that bellicose nationalism invites responses in kind. Is nationalism a term that can be rehabilitated, or even redeemed? Orwell was convinced that “every nationalist is capable of the most flagrant dishonesty”; is nationalism compatible with the kind of constructive shame that follows from truthful encounters with one own history? Is it possible to cultivate an appropriate sense of self-love that does not devolve into group narcissism? David Moscrop is a Canadian political columnist and commentator. He is the author of Too Dumb for Democracy? Why We Make Bad Political Decisions and How We Can Make Better Ones and the forthcoming “On Nationalism”.

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