What the Taylor Swift controversy tells us about who really profits from recording artists' work
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This weekend, pop superstar Taylor Swift penned a distraught Tumblr post in which she took the news of a business deal very, very personally. Her former record label, Big Machine, was sold to music mogul Scooter Braun's company for a reported $300 million U.S. The acquisition essentially hands Braun control of Swift's masters from her entire back catalogue. She claims this is her "worst case scenario," as she accuses Scooter Braun of "incessant, manipulative bullying." Today on Front Burner, Emily Yahr, pop culture reporter with the Washington Post, breaks down the origin of this feud, and explains why some of the most successful recording artists in the world are powerless when it comes to owning their own music.
